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We all spend a good portion of our days reading and thinking about celebrities and, if you are anything like me, some of that is spent dreaming of what it would be like to be a celebrity. I dream of the attention, the fans and, of course, all the nice things I would have. Well, I am learning now that those nice things don’t always come at a price. I always knew that celebrities received gifts from fashion houses, luxury brands and consumer goods companies, but I never realized just how much they received. New York Magazine has been digging around the economics of being a celebrity (check out next week’s edition) and is estimating that “a regular red-carpet walker will receive about $100,000 in free goods and services annually”. Wow! Read on for more details..

Back in April of last year (can you believe it’s been that long?!) we learned that actress Elizabeth Banks was cast in the role of Effie Trinket in the upcoming big screen adaptation of The Hunger Games. As we count down the days until Games hits theaters in March, Elizabeth is hard at work promoting the film’s release. Banks sat down with New York magazine to discuss her role in The Hunger Games (and some other stuff that is totally unimportant and not at all worth mentioning because, really, we ALL know there is nothing more important in life right now than The Hunger Games) and you can read some excerpts from their chat below.

Last month we learned that trainwreck/repeated jailbird Lindsay Lohan decided to strip down to pose nekkid in the pages of Playboy magazine and today we are learning new details about L. Lo‘s upcoming magazine appearance. Lindsay‘s proud mother Dina Lohan talked a bit about her daughter’s nude pictorial but today we get much more information about the Playboy spread from People magazine. Shock of shocks, Lindsay will be paying homage (again) to Marilyn Monroe in her nude pictorial … cuz she’s never done that before. Oh wait, yes she has done that before … back in 2008, Lindsay posed nude FOR FREE in the pages of New York magazine in homage to Marilyn‘s nude photos. I guess we’ll be seeing that homage all over again (or something similar) in the January/February issue of Playboy magazine.

Ryan Gosling is featured on the cover and in the pages of the new issue of New York magazine. During his photoshoot for the mag, he got the wild idea to make and throw a Molotov cocktail … just because. But, before we get to that bit of fun, let’s check out Ryan‘s very manly NY mag coverphoto and read some excerpts from his interview:

Blue Valentine, directed by Derek Cianfrance, is the film that best captures Gosling’s particular brand of manliness—the back-and-forth between tender, boyish goofiness and a more virile, dangerous, and unpredictable sexuality. The film tracks the six-year devolution of a romance between Dean (Gosling), bighearted and blue-collar, and Cindy (Williams), the shy young nurse he marries and has a daughter with. The film is ultimately devastating—at times harsh and claustrophobic, like a pomo Who’s Afraid of Virginia Woolf? “Ryan plays his character with such brutal honesty,” says his friend Mark Ruffalo. “It’s when acting becomes being.” Gosling was intrigued by the script’s evocation of “erosion and what a powerful force that is, that can turn a mountain into a rock. The film is like that Supremes song ‘Where Did Our Love Go’ ” he says. “It’s a mystery and you in the audience are the detective because the characters in the movie are too close to it—they’re not able to see what went wrong, what happened. They still love each other, but they’re not in love: Why?” He tried to persuade Cianfrance to shoot the two parts of the film—the couple’s courtship and the crumbling of the marriage—six years apart, to match the timeline of the script. “We couldn’t get anyone to finance that idea,” says Gosling. So the director enabled his star’s love of improvisation and full character immersion as best he could. After completing the scenes of Dean and Cindy falling in love (which includes an enchanting ukulele moment), and to prepare for the bad times, Gosling and Williams moved into a Pennsylvania house for four weeks with the young actress who played their daughter. They had a pretend Christmas and birthdays, and Gosling “would make us ice-cream shakes to put on weight,” says Williams. “We’d clean up the kitchen, take out the trash, do a budget—I’d do a budget and Ryan would try to put in $500 a year for cigarettes” … improvisation paid off in sex scenes with Williams that are difficult to watch—not because of any physical act, but because they are so emotionally raw. Blue Valentine was given an NC-17, a decision Gosling called “misogynistic” in a statement to the MPAA: It’s “okay supporting scenes that portray women in scenarios of sexual torture and violence for entertainment purposes, but they are trying to force us to look away from a scene that shows a woman in a sexual scenario, which is both complicit and complex” … Gosling might dislike the current business of Hollywood, but, actually, he’s a die-hard fan of the classic studio system. “It used to be mandatory to sing, dance, and act—to do comedy as well as drama,” says Gosling. “You came out here and trained. Over time, [actors] got compartmentalized. If you tried to play a character that was south side of a character you were made famous for, you were kicked to the curb, or shamed into getting back in line. The idea,” he says, “is to go back to the way things used to be.”

Because David loves all things New York, he has a subscription to New York magazine so I am really looking forward to reading this interview with Ryan. I am also really interested in seeing Blue Valentine, NC-17 rating and all. It sucks that the MPAA wields so much power with their movie ratings because IMHO, they tend to get their ratings wrong a lot … but, that is a discussion for another time. Let’s get to that Molotov cocktail I mentioned earlier — check out a photo from his NY mag photospread along with video of Ryan playing fiery bartender, after the jump …

Last week we learned the Marc Jacobs‘s new husband, Lorenzo Martone, is featured in the new issue of Butt magazine. It turns out that Mr. Martone-Jacobs is also featured in the new issue of New York magazine. In his interview, Martone opens up about life at home and at work … as the first husband of Fashion:

Martone (or Lolo, as his friends call him, like he’s a big puppy) loves to touch people. He has a powerful, and soothing, physical presence. He even smells reassuringly expensive (his cologne is called Poivres à Trois, which, he jokes, translates into “a pepper threesome”). He dresses in a happy, colorful uniform of tight shirts, suspenders, skinny jeans, scrunchy socks, and high-top sneakers, all by labels like Lanvin, Dior, and Marc Jacobs (he says he gets a slightly more than 20 percent-off VIP discount). For the last two years, Martone, who speaks four languages and has an M.B.A. in, of all things, luxury-brand management, has worked as a strategic planner for Chandelier Creative, a fashion and beauty ad agency with clients like Parfums Givenchy, Nars Cosmetics, and threeASFOUR. Tonight he’s wearing a Chanel watch encircled with diamonds, which he got from Jacobs after “I caught him smoking in action in Venice,” he says. Martone hates smoking, and they got in a fight over the fact that Jacobs hadn’t quit like he said he had. “Between the Taurus sign and being Latin, I probably reacted … ” He trails off. “And all I know, we were shopping in Venice and I got this watch as a gift.” Martone wears two rings. One he bought himself, with a matching one for Jacobs—pink gold from Boucheron, “which is Marc’s favorite brand.” He’s had bears engraved on the inside. “We call each other bears because of our facial hair and all that,” he says. “I have an attraction for beards. It’s kind of a fetish.” Jacobs grew one after they started dating. “I’ve molded him in my image,” Martone says, not quite seriously. The other, an infinity ring of emerald-cut diamonds, Jacobs gave to Martone off his own finger after they’d been together for eight months. “It was not an engagement ring, just a gift,” Martone says. Like Elizabeth Bennet, the heroine of his beloved Pride and Prejudice, he has his share of status conflicts over his marriage prospect. But then again, Jane Austen never imagined the blogosphere. Or for that matter, Butt magazine, the arty gay quarterly that Martone posed bare-bottomed for in the spring 2010 issue, discussing their wedding, as well as his personal sexual history.

Ah yes, I knew it wouldn’t take long for Martone‘s Butt to rear it’s proverbial head again. Incidentally, this New York magazine spread also offers another photo from Martone‘s Butt spread. After the jump, check out another look at Martone‘s NSFW bare butt in Butt …

On Wednesday I shared a bunch of promo images of Tori Amos from the liner notes of her new holiday album Midwinter Graces and I expressed that the disc is absolutely one of her best albums ever. Hearkening back to Tori‘s early solo music, Graces sounds like the classic Tori Amos that we all know and love. Today we get to read an interview that Tori did with New York magazine about her new album wherein she talks about how she made Xmas music in her own style by first educating herself on the origins of Xmas carols:

It’s been a busy year for singer-songwriter Tori Amos: After releasing her tenth studio album, Abnormally Attracted to Sin, in May, she found time during the ensuing tour to record her first holiday-themed record, Midwinter Graces, which arrived in stores yesterday. Her dramatic piano lines are intact, but the album deviates from Amos’s traditional style (most notably, it includes Christmas songs). As the daughter of a Reverend, Amos grew up surrounded by theology, and Graces is steeped in interpretations of old religious hymns. Vulture spoke with Amos about her new album on the phone from her home studio in Cornwall, England.

How did your upbringing influence this album?
There’s all kinds of memories. I remember driving to North Carolina when
I was a little girl in a snowstorm to get down to my mom’s family in the Carolinas. There were chains on the car — it was the late sixties — and we were just singing in the car. Christmas carols. And it was one of those things where of all the music that my dad turned me on to, the Christmas carols are what I related to a lot more than any religious music that the Methodists were pushing.

But these songs don’t stick to classical interpretations.
I love the classic crooners, but I got that from my mother — she worked in a record store. But my dad was a minister, so …

It’s more hymnal based.
Oh yeah. But during research I thought, Why does this music sound better than the other hymns? Little did I know at the time, but a lot of those songs used to be popular drinking songs and sea shanties for the Brits. “Nowell” — the correct spelling is N-O-W-E-L-L — there’s this book called the Oxford Book of Carols which tells you the origins of the melodies. Some of them go back so far. And what would happen is, these new denominations would be popping up and they’d think, “Oh, God, we need some hit songs.” So they’d take a popular song and put Christology to it. I’ve carried on the tradition. I’ve done variations of the themes that were variations of the themes.

What are some of the variations?
I did go to the Peabody Conservatory and figured that it needed to come in handy somewhere down the line. So I decided [to] bring in the string section, bring in the big band. And I love the big band and I think that’s where you get the song “Pink & Glitter.” And I think that was inspired by those old crooner songs.

Is writing in this style harder for you?
Well, in order to make this kind of record and to have it work, I needed to know what the carol writers were doing, then you need to know the theology of where it came from in order to change it. I did change it in making it more inclusive rather than exclusive. Because some of these lyrics were written, it was in a very puritanical time. Women had no rights, they couldn’t vote. Some of the music would’ve been fifteenth century.

I love Tori Amos interviews, I always end up learning something new. Did YOU know that Xmas carols were written as drinking songs back in the day? I love that! Even before I heard the album, I knew that Tori would do her research first and then make the traditional songs we thought we knew into something wholly hers. I cannot stress enough how great this album is … I’m very happy to read in the comments that some of y’all agree that Midwinter Graces is one of Tori‘s finest albums. If you’ve yet to hear it for yourselves, you can listen to the album in full HERE … and if you love it, I urge you to buy a copy to own. This album actually makes me look forward to Xmas … cuz it reminds me that what we are really celebrating is the Winter Solstice :)

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Neil Patrick Harris, who we just saw lookin’ all wet and sexy in the pages of Rolling Stone magazine over the weekend, is featured on the cover and in the pages of the new issue of New York magazine. In his coverstory interview, NPH talks about his upcoming stint as Emmy Awards host and also expresses that he and his boyfriend David Burtka would make great parents … even tho they aren’t expecting to become dads any time soon. The cover of New York magazine heralds NPH has “Hollywod’s First (Openly) Gay Breakthrough Star” but I’m really confused why they made him wear lipstick for his coverphoto. Here is NPH‘s New York magazine coverphoto and some excerpts from his coverstory interview:

Despite rumors to the contrary, Neil Patrick Harris, star of How I Met Your Mother and host of this year’s Emmys, says he and partner David Burtka and are not expecting a child – yet. Still, “We’d make very good parents,” Harris, 36, tells New York Magazine. And they’re already making one very good couple. “We yin and yang very well,” he tells the magazine. “I’m just bowled over by him. I’m his forever protector, and I’m happiest when he’s happy.” But coming to terms with his sexuality in Hollywood wasn’t always so easy for the former child star of Doogie Howser, M.D. “I tried … dating different girls, being the funny, witty guy at the party,” he says. One person that helped inspire him? A gay Real World cast member. Danny Roberts, of The Real World: New Orleans, “was a unique entity at the time, as someone who was seemingly so confident in their own skin,” says Harris. As host of this year’s Emmy Awards, Harris jokes that he hoped to include the Muppets – specifically Statler and Waldorf up in the balcony – in the opening number. And while that plan didn’t pan out, the actor jokes, with self-mocking air quotes, that he’ll make this year’s show the “classy Emmys.” Tune in to the show Sept. 20 to see what he means!

I gotta say, I love the idea of NPH and David Burtka becoming parents … even tho they may not be expecting any children right now, I wouldn’t be surprised if these two do become dads sometime soon. After the jump, check out a few photos from NPH‘s New York magazine photospread …

Yesterday we saw photos of Vicki B. as she breezed her way thru NYC to make a brief appearance at NY Fashion Week before packing up her shizz and headin’ home to be with her children. Altho VB didn’t make too much of a splash in NYC this week, she did take some time to sit down with New York magazine’s fashion director Harriet Mays Powell about her latest collection of dVb dresses. Here are a few screencaps from this new interview:

Victoria Beckham sat down with Harriet Mays Powell to talk about her new line — when she says that seeing her designs on a rack next to YSL is “more exciting than having a huge album,” we totally understand. She also introduces us to “Sucky, Sucky” dress and claims to do the dishes in a gold minidress. See? Posh is fun!

Wonder of wonders, the interview actually proves that VB is kinda, sorta human. After the jump, watch the clip in full …

New York magazine, known for its generous hyperbole and wit, has put the face of Madonna on the cover of its latest issue to accompany a story about the new trend in plastic surgery that rebukes the traditional idea of pulling skin tight and taught and, instead, plumps up the facial features. Apparently the mag feels that our lady Madonna is the new face of The New Face:

Women have been availing themselves of new faces since the dawn of plastic surgery, but suddenly it seemed that there was a better new face to be had. There is a New New Face, very different from the old one, and both my friend and Madonna now have it. Once I starting thinking of it in these terms—the face as the new handbag, say—I started seeing New New Faces everywhere: Demi Moore, Michelle Pfeiffer, Liz Hurley, Naomi Campbell, Stephanie Seymour. They all have it! Even the Olsen twins seem to have a starter version of the New New Face, with their big crazy doll eyes and plush lips. Just to be clear, I don’t presume to know exactly what any of these women have done to their faces, if anything at all. It’s possible (though in some cases before-and-after pictures would seem to suggest otherwise) that this face is occurring entirely naturally—after all, these are women who are famous for being beautiful. The point is that there is a noticeable aesthetic shift happening in the face, and that it’s dovetailing with quantum leaps in plastic surgery and dermatology. Through some unholy marriage of extreme fitness and calorie restriction (and maybe a little lipo), women have figured out how to tame their aging bodies for longer than ever. You see them everywhere in New York City: forty- and fiftysomethings who look better than a 25-year-old in a fitted little dress or a tight pair of jeans. But this level of fitness has created a new problem to which the New New Face is the solution—gauntness. Past a certain age, to paraphrase Catherine Deneuve, it’s either your fanny or your face. In other words, if your body is fierce (from yoga, Pilates, and the treadmill), your face will have no fat on it either and it will be … unfierce. It was only a matter of time before a certain segment of the female population would figure out how to have it both ways, even if it means working out two hours a day and then paying someone to volumize their faces, as they say in the dermatology business. As a friend of mine recently pointed out, there is now a whole new class of women walking around with wiry little bodies and “big ol’ baby faces.” And they look, well, if not exactly young, then attractive in a different way. A yoga body plus the New New Face may not be a fountain of youth, but it’s a fountain of indeterminate age. Psychologists and anthropologists have long tried to nail down what makes us perceive one face as beautiful and another not. There are theories about the math of it, the “Golden Ratio” — how, if you take careful measurements of the lines and triangles formed by a beautiful face, they will add up to the same proportions first noted by the Greeks to be aesthetically pleasing. More recently, a scientist named Michael Cunningham took it upon himself to study the faces of 50 women, half of whom were finalists in an international beauty pageant. In “Measuring the Physical in Physical Attractiveness” (italics mine), he wrote that the width of an eye, if it is to be part of a beautiful face, should be precisely three-tenths the width of the face, and the chin ought to be just one-fifth the height of the face, while the total area of the nose had better be less than 5 percent of the total area of the face or … you is ugly!

LOL! It’s an interesting article, one that I think has some bit of merit, but the cover is misleading. The assumption is that the writer knows specifics about the sort of nip/tucking that celebs are enjoying these days … when, in fact, the article is just an entire piece on assumption and conjecture. I don’t know that Maddy would take too kindly to being made the posterchild for this piece but I suppose she’s as good a candidate as any. At the end of the day, Madonna looks pretty amazing these days (well, except for that odd off day or two) and whatever it is that she does to keep looking so good is OK with me. On a playing field where the new starlets are getting younger every day, well, you gotta do what you gotta do. If plump is the new hot then plump away, I say.

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New York magazine caught up with Project Runway co-host and fashion maven Tim Gunn recently at the Peabody Awards which were held at the Waldorf-Astoria earlier this week and learned, among other things, that Tim is so bizzy working he doesn’t have time to scratch his nose (he has a season of Project Runway [the last season in NYC] and a season of his own show Tim Gunn’s Guide to Style to film over the summer). New York mag also learned that Tim is feeling “panicky” at the thought of relocating to Los Angeles, CA when Project Runway moves to the Left Coast (and to Lifetime) later on in the Fall:

As Tim Gunn has discovered, there really is no time to rest when you’re trying to make the world a more stylish place … Gunn told us he won’t have a day off until September 22. “I have no vacation plans,” he said. “I’m traveling to the Project Runway set.” That would be the set of the last Project Runway to be shot in our fair city (and therefore possibly the last season of the show worth watching — ever.). Then it’s off to shoot Tim Gunn’s Guide to Style. But Gunn isn’t worried about his endless work schedule. What really freaks him out is the idea of moving to Los Angeles when Project Runway switches to Lifetime for season six. “Can I be honest with you?” he said. “I’m panicky about it, and the whole idea of moving to a place that has a big car culture has me apoplectic.” Gunn won’t be moving to Los Angeles permanently but will have to stay there for a whole five weeks while the season films. He says he’s not even sure he wants to get an apartment: “I may have a little lean-to inside the set, wherever it is, so I don’t have to worry about travel.” At least, unlike most New Yorkers, he knows how to drive. He just isn’t sure he knows how to drive in L.A. “I’m not a good highway person,” he said. “I’m much better at back roads. I’ll make it work.” And what of that ubiquitous catch phrase? Heidi Klum has indicated that the show might say “auf Wiedersehen” to a few old favorites like “Make it work.” Is it true? “What?! No,” Gunn said, aghast. “I couldn’t possibly. ‘Make it work’ comes with me. I’ve been saying it for decades.”

HMMM … more evidence that the first season of Project Runway to be made for Lifetime will permanently relocate to LA instead of NYC (as opposed to the bullshizz we were told when the news broke that Lifetime acquired the show which claimed the show would be shot in NYC and LA). This huge change does have me worried but I’m far from apoplectic about the matter (ap·o·plec·tic — of, relating to, or causing stroke). Personally, I’m sure that Tim Gunn will do well in LA — there are a lot of folks out here who love him and the show (the majority of those folks live in West Hollywood, CA). I just hope that producers don’t muck up the show to the point of complete and utter destruction of the brand. I don’t know that my frail little heart could take ruination of the show I lurve so much. Hearing Tim Gunn‘s concerns doesn’t do much to appease my fears. I guess we’ll have to watch what happens (sorry Bravo).

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