As you may recall, Bret Michaels got beaned in the head by a descending backdrop during his performance on The Tony Awards this past Sunday night (Poison performed with the company of the musical Rock of Ages when the accident took place). It turns out that while Bret didn’t suffer any major injuries from this incident, he did walk away with a bit of a bruised ego. His rep Janna Elias, speaking on his behalf, has issued a statement publicly complaining that Michaels should’ve been afforded the same treatment that Liza Minelli or Elton John would’ve gotten if they were injured on the show. Yeah, I don’t get it either … but here is the full text of Elias‘s statement on Bret Michaels‘s behalf anyways:

“After a performance by singer Bret Michaels at the Tony Awards Sunday night, he turned to exit the stage and was struck in the head by a descending half-ton stage prop, sweeping him off his feet causing contusions to his face and knocking him to the ground. Even at that point of impact, the heavy prop was still not halted and continued to descend even though Michaels remained underneath it. Witnesses state the singer moved himself out of the way just moments before the prop touched down. With all due respect to everyone working the Tony Awards, somewhere down the line there was a lack of communication and the prop should have been immediately halted until Michaels was clear. Sunday morning at rehearsals, Bret was never informed that the descending set piece existed, let alone would be moving into position as he was exiting the stage. Although Bret was visibly dazed, he remained extremely calm backstage as members of Poison’s road crew brought him a towel to wipe the blood from his face. His only comment at the time was, ‘What the hell just hit me?’ The severity of this injury is not being taken lightly as symptoms from head and neck injuries at first may seem like nothing and sometimes do not present for days. At this time, the full extent of his injuries remain to be seen until all x-rays are back. I find it surprising that a Tony spokesperson would brush off this incident with a comment stating, ‘Mr. Michaels missed his mark,’ with no mention of concern for his condition. If everyone at the Tonys were aware that Bret missed his mark, then they should have been aware enough to stop the set piece from hitting him or at least slowed it down until he cleared the stage. I feel had this incident happened to Liza Minelli, Dolly Parton or Elton John, the Tonys would have at least issued a letter of concern.”

LMAO!!! I mean … c’mon! Accidents happen, rock stars should know that. It seems silly to me that his rep is making a big stink about this days after the incident took place. Does Ms. Elias really feel that issuing this statement makes her client look better? It makes him look like a crybaby … the poor thing. Memo to Bret Michaels — get over it! You hit your head, you go boom, carry on.

[Source]

Broadway’s biggest night took place at Radio City Music Hall in NYC, NY last night as the 63rd Annual Tony Awards were handed out in a lavish and fun ceremony. Hosted by Neil Patrick Harris, this year’s Tony Awards injected mirth and merriment into the awards show that honors achievement in plays and musical theater on New York City’s Great White Way. Billy Elliot the Musical, which David and I were fortunate enough to see earlier this year, set a record by winning 10 Tony Awards last night, including Best Actor in a Musical (an award that was given to the 3 young actors who play Billy in the show … which is a first in Tony Awards history) and Best Musical. Here are a few pics from the red carpet arrivals:

Yes, folks … that is Bret Michaels of Poison in the last photo. The band was on hand to preform with the company of Rock of Ages in the opening number … which turned out to be a quite a performance, especially for Bret — but I’ll get to that in a sec. Here are a few photos of some of the Tony Award winners last night and some deets about the show itself:

Broadway productions with roots in the London theater dominated the 63rd annual Tony Awards on Sunday, with “Billy Elliot” winning best musical and nine other awards and “God of Carnage” picking up honors for best play, best director and best actress. While several categories were unusually competitive this year because of the large number of strong Broadway productions, there were also no major upsets. The three teenage boys who rotate in the title role of “Billy Elliot” — David Alvarez, Trent Kowalik and Kiril Kulish — jointly won the award for best actor in a musical, as expected, and they also injected considerable charm into the CBS telecast. Standing onstage together, they covered their eyes with their hands at different points and looked away from the camera bashfully while muttering sentiments like “Oh my God” and “wow” and “unbelievable.” Then they took a long pause, as if trying to decide who should speak first — joint Tony Awards are very rare — and then went on to thank their parents and siblings and school and dance teachers. “And we want to say to all the kids out there who might want to dance, never give up,” Mr. Kulish added. “Billy Elliot” proved to be the commercial and critical musical hit of the 2008-9 Broadway season, routinely grossing more than $1 million a week in spite of the recession. Elton John, who composed the show’s score, made a point of thanking audience members for that success as he accepted the award for best musical. “We came here at a hard time economically, you opened your wallets and you opened your hearts, and we love you for it,” he said. This year’s awards were spread around evenly for the most part, with 14 shows receiving at least one Tony. With “Billy Elliot” far ahead, the musical “Next to Normal” and “God of Carnage” were next up with three Tonys each, including best actress honors for Alice Ripley for “Normal” and Marcia Gay Harden for “Carnage.” The French playwright Yasmina Reza accepted the best play award for “Carnage,” which also took honors for the British director Matthew Warchus. “I’m very happy to be here again — maybe you missed my accent; you wanted to hear it again?” said Ms. Reza, who previously won for her play “Art.” The award for best revival of a play went to another British import, “The Norman Conquests.” If accents were indeed in large supply through the night, so were celebrity presenters and recipients, with Broadway having one of its busiest years for actors from film and television. The Oscar-winning actor Geoffrey Rush (an Australian) was honored as best actor in a play as the monarch in “Exit the King” by Eugène Ionesco, whose works came to define the Theater of the Absurd yet are rarely revived on Broadway. “I want to thank Manhattan theater audiences for proving that French existential absurdist tragi-comedy rocks,” Mr. Rush said. Politics strayed onto the Tony landscape at only a couple of points, most notably when Oskar Eustis, artistic director of the Public Theater, accepted the award for best musical revival for “Hair.” “Peace now, freedom now, equality now,” Mr. Eustis said, gesturing to his ring finger as he uttered those last two words, a reference to gay marriage rights. “And justice forever.” Angela Lansbury won her fifth Tony Award, for best featured actress in a play, for her turn as the medium in “Blithe Spirit,” 43 years after winning her first award, for best actress in the musical “Mame.” “Who knew, who knew, that at this time in my life that I should be presented with this lovely, lovely award,” said Ms. Lansbury, who is 83. Liza Minnelli received the Tony for special theatrical event for her one-woman show “Liza’s at the Palace.” For best featured performances in a musical, Gregory Jbara (“Billy Elliot”) and Karen Olivo (“West Side Story”) were honored. The best featured actor award went to another theater veteran, Roger Robinson, for his role in “Joe Turner’s Come and Gone.” Other awards went to Stephen Daldry for his direction of “Billy Elliot,” “Mary Stuart” for costume design and “Equus” for sound design. All three shows had runs in London before the current Broadway productions were mounted.

I am so happy that Billy Elliot won so many awards. It is truly a superb show, one that David and I thoroughly enjoyed when we saw in January. We saw Trent Kowalik play Billy at our show and really loved his performance … the award to the 3 Billys is much deserved, I think. Congrats!! I’m not sure how many of you watched the Tony Awards last night but it was a very entertaining show. The opening number included short performances from 10 different musicals and offered one of the most talked about/funniest moments of the show. After the jump, check out video from that opening number and see how Poison‘s Bret Michaels almost lost his head during the opening performance …