Bret Michaels Releases A Personal Statement On His Tony Awards Mishap

"I have a feeling this may have been my first and final curtain call at the Tonys"
Friday, June 12th, 2009

Earlier this week we were presented with a statement from Poison frontman Bret Michaels’s representative publicly complaining that Michaels did not receive the care and attention necessary from the producers of the 63rd Annual Tony Awards after he was injured during a performance on the Tony Awards stage last Sunday night. Then we got our first look at Bret Michaels’s injuries along with more complaining from Michaels’s rep. Today we get to read the full, personal statement from Bret Michaels himself on the matter … here is the full text of his statement:


My Official Statement

I am trying to remain very positive and somewhat humorous about the whole situation. I apologize that I did not make a statement earlier as I have been feeling pretty beat up over the last few days. The fact is I was honored to be asked to perform at the event. The entire “Rock of Ages” production were awesome and even though I was completely out of my element I was really enjoying myself prior to my injury. In fact all involved at the awards show treated me good.

I had a great time at the Tonys right up until I got blindsided, I must admit it was a little blurry after that. In hindsight, there is no doubt I got my bell rung, unfortunately it has been posted and perhaps funny to watch, but I can assure you it has been painful to experience. In all honesty I had absolutely no idea what struck my head. Upon impact I thought a piece of the lighting rig had fallen out of the ceiling and as I fell back it seemed like my head struck the stage and I blacked out for a second. When I opened my eyes I noticed a large set prop coming down straight for me. I immediately pushed myself out of the way and amidst the chaos I laid on the floor and asked “what the hell just happened?”

My nose, mouth and the back of my head felt numb. I vaguely remember asking Big John, ‘do I have any teeth left in my mouth?’ I knew I could move my arms and legs and that was an instant relief. Somebody handed me a towel to wipe the blood from my face and in my dazed state I recall staring at what seemed to be Shrek, a talking goat head and several monkey like creatures.

Over the last few days a lot of speculation as to what happened and who is to blame have surfaced. I need to make clear at no point since the incident occurred do I feel like the accident was malicious in any way and I feel this will all work itself out. However I must state I found it a little strange that the only statement released by the Tony organization was that I missed my mark and that I was completely fine. First, I thought, ‘what mark?’ as there was no official mark, just a retracting drum riser and an overhead prop being rapidly lowered which was out of my view. Second, I think it was slightly irresponsible for them to report that I was fine without full knowledge of my condition, when a doctor hadn’t even looked at me yet and I surely don’t remember any X-Ray machines backstage. I am not looking for an apology, I only hoped that on a human level that the Tony organizations’ representative would have expressed some concern for injury in their statement or at the very least claim they would be looking into the matter.

Whether it was a miscommunication, missed cue or missed mark no matter what the situation was the prop should have been stopped or at least slowed for a few more seconds until I cleared the stage. I apparently had less than two seconds to avoid being hit. It was evident I was backing up and moving in the direction to exit the stage for at least 30 to 40 feet and it is plain to see I had no clue this prop was descending. For God sake, they have at least a five second delay to prevent the airing of unapproved expletives and nudity!

For the record never at any point during my Sunday morning rehearsal was I ever instructed that the piece was coming down and that I had very little time to get off the stage, otherwise believe me I would have stopped or at least ducked so as not to be knocked out at the Tonys. Trust me I never wanted any of this to happen. I was simply doing as I was told which was to exit the stage as Poison’s song “Nothin’ but a Good Time” came to a close.

I feel for the actors and actresses who put in so much time and hard work on or off Broadway to get to the Tonys. This is their moment and I am sorry that some of it may have gotten overshadowed by my thick rocker cranium being struck by a stage prop. On a high note I hear it was the highest rated Tonys they have had in years. However, I was bummed that I did not get to see any of the acts perform during the Tonys as I have never seen a play on Broadway before, probably would have enjoyed it, and even more bummed that I did not get to attend the after parties, cuz rumor has it Anne Hathaway was going to be there and she is hot.

I would like to personally thank Bobby and C.C., Mark Hogue, Larry Morand and my crew along with Liza Minnelli, Mark Indelicato and Carole Propp for rushing to my dressing room to check on my condition. In closing I truly appreciate everyone’s concern. I thank the Good Lord I have a thick skull and I have a feeling this may have been my first and final curtain call at the Tonys.

Sincerely,
Broadway Bret Michaels

And, with that, I hope we’ve heard the last of Bret Michaels‘ injuries. While I understand that he feels the need to be paid attention to in light of his banged up face, I think he went about the whole matter terribly. Publicly complaining in the media about how no one paid attention to you after you got an ouchie makes you look like a crybaby. I’m not sure what he was trying to achieve with that statement released by his PR person. Did he expect a public outcry from people demanding that the Tony Awards producers stop being meanies? If he really had a problem with production, as it sounds like he did, he should’ve just privately contacted production itself and saved the drama for his seemingly unending stream of VH1 reality TV shows. At least Bret’s personal statement doesn’t sound as douchey as his rep’s statement did … sure, it still sounds like he wants a hug and a pat on the head and sure his statement went on for 8 paragraphs (!!!) but … at least he’s had his say and hopefully we can be done with the matter. Tho … I wouldn’t be surprised if there was a lawsuit somewhere down the line. I mean, those VH1 reality TV shows have to run out sometime.

[Source]

Bret Michaels Shows Off His Tony Awards Injuries

Get this man a band-aid
Thursday, June 11th, 2009

Yesterday we heard from Poison frontman Bret Michaels’s representative, Janna Elias, that the Michaels camp is upset that they haven’t received any messages of support from the producers of the 63rd Annual Tony Awards in the wake of the accident that Bret suffered while performing on stage at the show this past Sunday night. Elias issued an extensive statement that publicly chastised the Tony Awards folks for their failure to give a darn that he walked into a descending set piece and suffered facial trauma as a result. Today we learn that Bret Michaels has been forced to postpone an all-important tour date in Myrtle Beach, SC as a result of his injuries … injuries that he is now showing off on his official website:


Tour Update: Myrtle Beach Show Postponed

“Unfortunately due injuries suffered at the Tony awards Sunday night, the Bret Michaels show scheduled for Wednesday in Myrtle Beach has been postponed and rescheduled for Thursday August 6th. Due to a large stage prop that struck Bret’s head further tests are being conducted on his head and spine. Bret Michaels solo tour dates will resume June 12th in Gadsden Alabama and will continue throughout the summer. Bret looks forward to bringing his Rock of Love tour to Myrtle Beach and will see you all on Thursday August 6th.”

Um, seriously? He’s got an ouchie on his nose … is he really, seriously making this big a stink over his accident? Could all of this bitching mean that Michaels might be making a play for a potential lawsuit? If so, he’d prolly need at least one more photo showing other injuries to his person as a result of his near deadly accident … right? After the jump, check out one more photo of Bret Michaels showing off his injured lip which, he alleges, was caused by his near deadly accident on the Tony Awards stage …

READ THE REST OF THIS POST »

Bret Michaels Is Pissed That The Tony Awards Don’t Care About Him

Or some such nonsense bullshizz
Wednesday, June 10th, 2009

As you may recall, Bret Michaels got beaned in the head by a descending backdrop during his performance on The Tony Awards this past Sunday night (Poison performed with the company of the musical Rock of Ages when the accident took place). It turns out that while Bret didn’t suffer any major injuries from this incident, he did walk away with a bit of a bruised ego. His rep Janna Elias, speaking on his behalf, has issued a statement publicly complaining that Michaels should’ve been afforded the same treatment that Liza Minelli or Elton John would’ve gotten if they were injured on the show. Yeah, I don’t get it either … but here is the full text of Elias’s statement on Bret Michaels’s behalf anyways:


“After a performance by singer Bret Michaels at the Tony Awards Sunday night, he turned to exit the stage and was struck in the head by a descending half-ton stage prop, sweeping him off his feet causing contusions to his face and knocking him to the ground. Even at that point of impact, the heavy prop was still not halted and continued to descend even though Michaels remained underneath it. Witnesses state the singer moved himself out of the way just moments before the prop touched down. With all due respect to everyone working the Tony Awards, somewhere down the line there was a lack of communication and the prop should have been immediately halted until Michaels was clear. Sunday morning at rehearsals, Bret was never informed that the descending set piece existed, let alone would be moving into position as he was exiting the stage. Although Bret was visibly dazed, he remained extremely calm backstage as members of Poison’s road crew brought him a towel to wipe the blood from his face. His only comment at the time was, ‘What the hell just hit me?’ The severity of this injury is not being taken lightly as symptoms from head and neck injuries at first may seem like nothing and sometimes do not present for days. At this time, the full extent of his injuries remain to be seen until all x-rays are back. I find it surprising that a Tony spokesperson would brush off this incident with a comment stating, ‘Mr. Michaels missed his mark,’ with no mention of concern for his condition. If everyone at the Tonys were aware that Bret missed his mark, then they should have been aware enough to stop the set piece from hitting him or at least slowed it down until he cleared the stage. I feel had this incident happened to Liza Minelli, Dolly Parton or Elton John, the Tonys would have at least issued a letter of concern.”

LMAO!!! I mean … c’mon! Accidents happen, rock stars should know that. It seems silly to me that his rep is making a big stink about this days after the incident took place. Does Ms. Elias really feel that issuing this statement makes her client look better? It makes him look like a crybaby … the poor thing. Memo to Bret Michaels — get over it! You hit your head, you go boom, carry on.

[Source]

The 63rd Annual Tony Awards Are Handed Out

'Billy Elliot's Big Night
Monday, June 8th, 2009

Broadway’s biggest night took place at Radio City Music Hall in NYC, NY last night as the 63rd Annual Tony Awards were handed out in a lavish and fun ceremony. Hosted by Neil Patrick Harris, this year’s Tony Awards injected mirth and merriment into the awards show that honors achievement in plays and musical theater on New York City’s Great White Way. Billy Elliot the Musical, which David and I were fortunate enough to see earlier this year, set a record by winning 10 Tony Awards last night, including Best Actor in a Musical (an award that was given to the 3 young actors who play Billy in the show … which is a first in Tony Awards history) and Best Musical. Here are a few pics from the red carpet arrivals:


Yes, folks … that is Bret Michaels of Poison in the last photo. The band was on hand to preform with the company of Rock of Ages in the opening number … which turned out to be a quite a performance, especially for Bret — but I’ll get to that in a sec. Here are a few photos of some of the Tony Award winners last night and some deets about the show itself:


Broadway productions with roots in the London theater dominated the 63rd annual Tony Awards on Sunday, with “Billy Elliot” winning best musical and nine other awards and “God of Carnage” picking up honors for best play, best director and best actress. While several categories were unusually competitive this year because of the large number of strong Broadway productions, there were also no major upsets. The three teenage boys who rotate in the title role of “Billy Elliot” — David Alvarez, Trent Kowalik and Kiril Kulish — jointly won the award for best actor in a musical, as expected, and they also injected considerable charm into the CBS telecast. Standing onstage together, they covered their eyes with their hands at different points and looked away from the camera bashfully while muttering sentiments like “Oh my God” and “wow” and “unbelievable.” Then they took a long pause, as if trying to decide who should speak first — joint Tony Awards are very rare — and then went on to thank their parents and siblings and school and dance teachers. “And we want to say to all the kids out there who might want to dance, never give up,” Mr. Kulish added. “Billy Elliot” proved to be the commercial and critical musical hit of the 2008-9 Broadway season, routinely grossing more than $1 million a week in spite of the recession. Elton John, who composed the show’s score, made a point of thanking audience members for that success as he accepted the award for best musical. “We came here at a hard time economically, you opened your wallets and you opened your hearts, and we love you for it,” he said. This year’s awards were spread around evenly for the most part, with 14 shows receiving at least one Tony. With “Billy Elliot” far ahead, the musical “Next to Normal” and “God of Carnage” were next up with three Tonys each, including best actress honors for Alice Ripley for “Normal” and Marcia Gay Harden for “Carnage.” The French playwright Yasmina Reza accepted the best play award for “Carnage,” which also took honors for the British director Matthew Warchus. “I’m very happy to be here again — maybe you missed my accent; you wanted to hear it again?” said Ms. Reza, who previously won for her play “Art.” The award for best revival of a play went to another British import, “The Norman Conquests.” If accents were indeed in large supply through the night, so were celebrity presenters and recipients, with Broadway having one of its busiest years for actors from film and television. The Oscar-winning actor Geoffrey Rush (an Australian) was honored as best actor in a play as the monarch in “Exit the King” by Eugène Ionesco, whose works came to define the Theater of the Absurd yet are rarely revived on Broadway. “I want to thank Manhattan theater audiences for proving that French existential absurdist tragi-comedy rocks,” Mr. Rush said. Politics strayed onto the Tony landscape at only a couple of points, most notably when Oskar Eustis, artistic director of the Public Theater, accepted the award for best musical revival for “Hair.” “Peace now, freedom now, equality now,” Mr. Eustis said, gesturing to his ring finger as he uttered those last two words, a reference to gay marriage rights. “And justice forever.” Angela Lansbury won her fifth Tony Award, for best featured actress in a play, for her turn as the medium in “Blithe Spirit,” 43 years after winning her first award, for best actress in the musical “Mame.” “Who knew, who knew, that at this time in my life that I should be presented with this lovely, lovely award,” said Ms. Lansbury, who is 83. Liza Minnelli received the Tony for special theatrical event for her one-woman show “Liza’s at the Palace.” For best featured performances in a musical, Gregory Jbara (“Billy Elliot”) and Karen Olivo (“West Side Story”) were honored. The best featured actor award went to another theater veteran, Roger Robinson, for his role in “Joe Turner’s Come and Gone.” Other awards went to Stephen Daldry for his direction of “Billy Elliot,” “Mary Stuart” for costume design and “Equus” for sound design. All three shows had runs in London before the current Broadway productions were mounted.

I am so happy that Billy Elliot won so many awards. It is truly a superb show, one that David and I thoroughly enjoyed when we saw in January. We saw Trent Kowalik play Billy at our show and really loved his performance … the award to the 3 Billys is much deserved, I think. Congrats!! I’m not sure how many of you watched the Tony Awards last night but it was a very entertaining show. The opening number included short performances from 10 different musicals and offered one of the most talked about/funniest moments of the show. After the jump, check out video from that opening number and see how Poison’s Bret Michaels almost lost his head during the opening performance …

READ THE REST OF THIS POST »