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Green Day frontman Billie Joe Armstrong, who just completed his second stint on Broadway in his show American Idiot, sat down with Details magazine to talk about a range of topics from fatherhood, to punkness to politics. It’s when he is asked to discuss the political climate here in the US that his interview gets really interesting. He refers to the Democrats as a “bunch of pussies” and to Republican governor Mike Huckabee as “the guy that diddled you while holding the Bible”. Clearly, Armstrong is not afraid to share how he really feels about things. Read on for some of Billie Joe‘s more colorful quotes from his new Details magazine interview.

Billie Joe Armstrong, frontman for Green Day and principal composer of the Broadway musical Green Day’s American Idiot, make his Broadway debut this week playing the lead character in the stage musical of the show that he co-authored which is based on the album of the same name that he also co-authored … which, if you think about it, is kinda cool. Here are a few photos from Billie Joe‘s Broadway debut curtain call and some deets about his big night:

Billie Joe Armstrong is not a large man, but he knows how to fill up a stage. Birthed in punk, the Green Day frontman has become a fine rock ‘n’ roll showman. Still, he’s no doubt an artist more used to holding an audience of 20,000 in the palm of his hand than interacting with a cast of professional actors. But on Wednesday night on the stage of the St. James Theatre in New York, he seemed more than comfortable on Broadway, coming off like a pocket-pistol Ethel Merman. Filling in for regular scene-stealer Tony Vincent as St. Jimmy in “American Idiot,” Armstrong had no problem remembering the lyrics, seeing as how he wrote them. As the drug-pushing alter ego of the main character, Johnny, played by Tony-winner John Gallagher Jr., Armstrong did all the choreography and stage business required for the part, including stripping off his shirt and carving a bloody heart into his chest before shooting himself in the head with a toy gun. “Bang!” But his St. Jimmy is a very different animal from Vincent’s, whose sinewy physique menaces with a smoldering sensuality. If Vincent’s St. Jimmy is a starving wolf, Armstrong’s is a rabid mutt, whose brutality is masked by a playful goofiness that makes his needy attachment to Johnny all the more insidious. With his half-shaved head and torn fishnet shirt, Vincent’s Jimmy has an overtly sexual interest in wresting Johnny from the arms of Whatsername (Rebecca Naomi Jones). Whereas Armstrong’s, with his spiked hair and dirty black vest, is more like a demonic Peter Pan, trying to keep Johnny from growing up by sabotaging his one promising relationship. It was fascinating to see how two takes on the same character could be so different and yet so winning in their own ways.

As you may recall, I was able to see Green Day‘s American Idiot on Broadway back in May … and I really, really didn’t like it … at all. That being said, I wish I had been able to see the show with Billie Joe in the lead. I have a feeling that some of the things about the show that rubbed me the wrong way might’ve not existed had I seen Billie Joe in the show. At the very least, I would’ve loved to have seen BJ‘s opening night on Broadway … if only for the kitsch factor. This sounds very cool … and despite the fact that I didn’t care for the show, I’m glad to hear that American Idiot is getting young folks into Broadway theater.

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Last September we learned which Rock and Roll musicians were nominated for induction into the Rock and Roll Hall of Fame and last night, in a lavish concert/ceremony at the Waldorf-Astoria Hotel in NYC, NY rockers like Iggy Pop and The Stooges, Genesis, The Hollies and … ABBA … were inducted as the 2010 Class of the Rock and Roll Hall of Fame. Here are a few photos from last night’s ceremony and some deets from the event:

It opened with a Phish show, nearly exploded into a (very well-heeled) proto-punk riot, got giddy on a fix of sunshiny Swedish pop, and finally wrapped up with a ’50′s-tinged tribute. It was the 25th Annual Rock and Roll Hall of Fame Induction Ceremony, back in NYC after a one-year sojourn in Cleveland (where the titular hall actually exists). And while it may have been lacking the star power of previous years’ ceremonies — Eminem and Metallica in 2009, Madonna and Justin Timberlake in ’08 — it certainly showcased the breadth and depth of this thing we call rock music. ABBA, Genesis, the Stooges, Jimmy Cliff and the Hollies were the performers that headlined the 2010 class, inducted into the hall by the likes of the Bee Gees’ Barry and Robin Gibb and Green Day’s Billie Joe Armstrong. Variety was the theme of the night, expressed in the wide range of performances and the revered tones of the inductors, which ranged from genuinely geeky (Phish’s Trey Anastasio, who inducted Genesis and spoke at length about the group’s “seven-note guitar lines” and the technical prowess of their 1973 album Selling England by the Pound) to gleefully amped (Armstrong swore a whole lot as he inducted the Stooges). The show began with Phish running through Genesis’s proggy “Watchers of the Sky,” then Phil Collins, Tony Banks, Steve Hackett and Mike Rutherford took the stage to accept their award, thanking Anastasio for his “really convincing argument” about the oft-derided band’s legacy. Original singer Peter Gabriel wasn’t there because he was “rehearsing for an orchestral tour,” according to Collins. Phish then played a second Genesis tune, “No Reply at All.” Up next were the Stooges, long denied a slot in the hall despite their obvious influences on everything from punk to metal, and they more than made up for lost time. First, Armstrong — who was “very excited and nervous as hell” to be inducting them — strode to the podium and launched into a heartfelt speech that praised the band’s commitment to “blood and guts, sex and drugs … peanut butter and poetry.” The Green Day frontman rattled off basically every band the Stooges had ever influenced, a list that included Nirvana, Siouxsie and the Banshees, the Queens of the Stone Age “and my fucking band too.” “It is my honor to induct into the Rock and Roll Hall of Fame — and it’s about fucking time — the Stooges!” Armstrong exclaimed. Stooge main man Iggy Pop strutted onto the stage and — still wearing a shirt — gave the tuxedoed crowd a double middle-finger salute, followed by a genuinely touching speech that mentioned late members Dave Alexander and Ron Asheton, shouted out “all the poor people who actually started rock and roll” and concluded with a thanks to all his fans for giving the band “a second act,” getting choked up as he said it. Pop turned the mic over to fellow Stooges James Williamson and Ron’s brother Scott and began unbuttoning his white dress shirt as they spoke. He then stormed off to the stage, and, aided by bassist Mike Watt and tenor sax skronker Steve Mackay, ripped through a pair of the Stooges’ burners — “Search and Destroy” and “I Wanna Be Your Dog” — the latter of which saw Iggy prowl the front row of the audience, belt out the chorus under the watchful gaze of Dr. Oz (for real), then invite anyone and everyone onstage. Green Day and members of Pearl Jam gleefully obliged, as did a few fairly radical men and women in their formal wear. Back in the press room, Iggy explained his impromptu invasion thusly: “Well, you can’t really stage-dive in a place like this.” Legendary record exec David Geffen and British rock act the Hollies were inducted next, followed by Reggae legend Jimmy Cliff (who was lovingly introduced by Wyclef Jean) and then, in perhaps the night’s most anticipated moment, globally revered Swedish pop quartet ABBA, who hadn’t performed together in public in nearly 25 years. Unfortunately, only half of the group’s members — Anni-Frid Lyngstad and Benny Andersson (who were married once upon a time) — showed up to accept their trophies from the Gibbs. They seemed touched by the honor, and Andersson took to the piano to perform one of the group’s most masterful hits, “The Winner Takes It All,” with country star Faith Hill on vocals.

LOL … yes, it really does sound like a very eclectic night of music celebration. While some are saying that ABBA doesn’t belong in the Rock and Roll Hall of Fame, I think it’s wise of the Rock Hall to induct musicians like ABBA who’s influence may not be necessarily text book “rock” but rather has influenced other rock musicians who followed after. Madonna is not a rock musician and yet, she deffo belongs in the Rock and Roll Hall of Fame. In any event … I’m so happy that my boys from Detroit, The Stooges, finally made it into the Rock Hall. They are true rock pioneers and their induction is LONG overdue. Congrats to this year’s class of inductees!! I wonder who’ll make the cut next year.

[Photo credit: Wireimage; Source]