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Aug 6, 2008
Makes her OZ debut
Sunday Rose Kidman-Urban Goes Down Under

The Aussie newspaper The Daily Telegraph scored the first photos and video of Sunday Rose, the first born child of Nicole Kidman and Keith Urban as they tried to sneak her into Sydney under the cover of night. Here is a grainy screencap from video of the family’s arrival in OZ late last night:

A JOYOUS Nicole Kidman introduced her newborn daughter Sunday Rose to the baby’s Sydney family for the first time, after jetting home last night. The month-old bundle brought the Kidman clan together at the Aussie star’s Darling Point home, with her father Dr Antony Kidman rushing to meet his grandchild for the first time. In a carefully constructed and covert plan, Kidman and her singer husband Keith Urban slipped into Sydney under the cover of darkness – only to be greeted by a large media pack at the Kingsford Smith jet base. With daughter Sunday wrapped in white blankets and held tightly to her chest, a black-clad Kidman stepped from a private jet to the couple’s waiting silver Audi at around 7.30pm. Decoy cars helped to block the press in pursuit, while an aviation fuel tanker and luggage trailers were also strategically parked to limit vision to the jet and couple’s cars … It is believed Australia director Baz Luhrmann was among those to greet the Oscar-winner last night, before she begins final production on his epic outback feature film.

Click HERE to watch video of the family’s arrival. Not that you can really see anything but a grainy baby blanket (which could contain little Miss Sunday Rose, or a decoy made of squash) but I believe this is the first photographic evidence that the Kidman-Urban baby exists (if, in fact, she is wrapped in that blanket). The couple have yet to broker a deal to introduce their baby to the world in any magazines so they better get on that before someone manages to snap a pic and ruin their chances at the big bucks. Perhaps a plan is in the works already? In any event, releasing the photos themselves will go a long way in taking the bounty off the baby’s head. Looks like it’s game on in Oz.

[Source]

Comes From A 'Moral Background'
Chace Crawford Talks To ‘The Independent’

Gossip Girl heartthrob Chace Crawford recently sat down for an interview with the British newspaper The Independent and talked a bit about various things associated with his hit teen TV series … like the way his moral system conflicts with some of his scenes, they way he doesn’t really mind taking his clothes off on screen and those pesky rumors about a possible relationship with co-star Ed Westwick. Here are a couple pics that accompany this new interview and a portion of the interview itself:

Chace Crawford says he can sometimes get uncomfortable with the racy undertone of his CW hit Gossip Girl. “Is that a weight on my conscience?” Crawford says in a new interview with London’s The Independent. “Well, yes, I think it is. I come from a moral background, and I can see the power of the show, and imagine my old school teachers cringing, or my grandparents thinking, ‘Oh, my God,’ when they see me, say, having sex on a barstool. But you have to remember, this is not a reality show. It’s supposed to be pure entertainment. I don’t actually think people give enough credit to teenagers who watch the show,” he adds. “They’re not stupid, and it’s not like we’re making an instruction manual telling them how to drink and do drugs, or have sex. We’re just laying out how it is. My character is very conflicted, and even in the episodes where he’s having sex then dumping girls, there’s often regret. You know, there are repercussions to certain sorts of behavior that come full circle” … Sometimes he says he’ll put a limit on how much skin he’ll show. Recently, he convinced producers to let him keep his shirt on. “I never actually said I disliked having my top off; it was just that on that occasion it didn’t make sense,” he explains. “Nate was supposed to be waking up, hungover, on his buddy’s couch. So why would he be in his boxer shorts? I don’t actually mind taking my clothes off most of the time – it’s why I go to the gym,” he says. “As an actor, you pick and choose your battles.” Achieving fame so fast “can be a double-edged sword,” Crawford admits. “But right now, I couldn’t ask for more, and I certainly never complain about it.” He says he laughed off rumors that he and co-star Ed Westwick are having a fling. (Crawford was also romantically linked to JC Chasez, though both vehemently deny gay rumors.) “It’s kind of funny,” Crawford tells the paper. “I guess some people assume there’s a seed of truth to it. People think where there’s smoke, there’s fire.” He says he wasn’t sure who started the rumors — and doesn’t care. “I just don’t even want to speculate on that. It’s just one of those things that rolls off my back,” Crawford says. “There’s not one seed of truth to it, so it’ll just go away in the end.”

Ah, young fame. It’s interesting to see how some young actors handle certain aspects of their fame … some of them seem to run buckwild and burn thru their new celebrity as fast as they can and others, like Chace, seem to have their heads screwed on pretty securely. In the end, tho, I honestly feel like there will be constant speculation about his romantic life, folks that pretty are cursed with the fact that everyone finds them attractive and everyone will hope and speculate that they might have a chance. It’s all part of the celebrity game. Chace seems to know what’s what … in the end, I hope he’s able to remain true to who he is and keep his moral footing. Click HERE to read the full text of Chace‘s interview with The Independent.

After the jump, check out a few photos from a newish shoot that Chace did with Tony Duran …

Jul 25, 2008
Christian is not impressed
Siriano Deems ‘Girlicious’ Expired

Project Runway season 4 winner Christian Siriano (who, incidentally, just this week debuted his first clothing collection on Bluefly.com) has a few choice things to say about Project Runway season 5 contestant Blayne Walsh‘s overuse of the word “girlicious” … essentially, he hates it. Which, I must confess, is pretty funny considering that Christian couldn’t go 3 mins. on his season of the show without saying the world “fierce”:

Christian Siriano, the man who perfected the reality show catch phrase, weighs in on one of “Project Runway’s” most controversial contestants this season, Blayne, and his overuse of the word “Girlicious.” Needless to say, he’s not a fan. But it’s not all bad news – although he doesn’t have such kind things to say about last night’s winning dress either – as Christian gushes about his new BlueFly.com collection, his designs for 2008 Fashion Week and of course, the biggest fashion muse of all, Victoria Beckham.

In a video interview with the New York Post, Christian calls Blayne‘s new attempt at a catchphrase “retarded” and “stupid” claiming that “it doesn’t really work” says that “it’s very forced” and that “it bothers” him. Um, what? Don’t get me wrong, I totally agree … the liciousness is annoyingly lame … but for Christian Siriano — the guy who used the word “fierce” so much that even he had to agree that it became “expired” — to dog on Blayne is too funny. If anything, Blayne is just trying to emulate Christian by mimicking him … it’s funny that Christian now finally sees how annoying this behavior is ;) After the jump, watch the entire New York Post video interview with Christian Siriano

Jul 6, 2008
A love poem for the Motor City
Jack White Pens Detroit A Poesy

Jack White, of the White Stripes and The Raconteurs, has penned a poem for his hometown of Detroit, MI and passed it along to The Detroit Free Press for publication. Over the years, Jack has been an ardent supporter of Detroit Rock City so it should come as no surprise that he would take the time to write such a lovely poem for his hometown. Here is a pic of Jack and Meg White standing in front of the famed Hotel Yorba near downtown Detroit and the full text of his poem entitled Courageous Dream’s Concern:

I have driven slow,
three miles an hour or so,
through Highland Park, Heidelberg, and the
Cass Corridor.
I’ve hopped on the Michigan,
and transferred to the Woodward,
and heard the good word blaring from an
a.m. radio.
I love the worn-through tracks of trolley
trains breaking through their
concrete vaults,
As I ride the Fort Street or the Baker,
just making my way home.

I sneak through an iron gate, and fish
rock bass out of the strait,
watching the mail boat with
its tugboat gait,
hauling words I’ll never know.
The water letter carrier,
bringing prose to lonely sailors,
treading the big lakes with their trailers,
floats in blue green chopping waters,
above long-lost sunken failures,
awaiting exhumation iron whalers,
holding gold we’ll never know.

I’ve slid on Belle Isle,
and rowed inside of it for miles.
Seeing white deer running alongside
While I glide, in a canoe.
I’ve walked down Caniff holding a glass
Atlas root beer bottle in my hands
And I’ve entered closets of coney islands
early in the morning too.
I’ve taken malt from Stroh’s and Sanders,
felt the black powder of abandoned
embers,
And smelled the sawdust from wood cut
to rehabilitate the fallen edifice.
I’ve walked to the rhythm of mariachis,
down junctions and back alleys,
Breathing fresh-baked fumes of culture
nurtured of the Latin and the
Middle East.
I’ve fallen down on public ice,
and skated in my own delight,
and slid again on metal crutches
into trafficked avenues.

Three motors moved us forward,
Leaving smaller engines to wither,
the aluminum, and torpedo,
Monuments to unclaimed dreaming.
Foundry’s piston tempest captured,
Forward pushing workers raptured,
Frescoed families strife fractured,
Encased by factory’s glass ceiling.

Detroit, you hold what one’s been seeking,
Holding off the coward-armies weakling,
Always rising from the ashes
not returning to the earth.

I so love your heart that burns
That in your people’s body yearns
To perpetuate,
and permeate,
the lonely dream that does encapsulate,
Your spirit, that God insulates,
With courageous dream’s concern.

Jack tells the Free Press that he wrote the poem to answer his critics who claim he has lost respect for the city. In various interviews, Jack White was quoted as saying some not-so-nice things about the evolution of the music scene in Detroit (interviews he gave after he moved away from Detroit in 2006) which some people took to mean that he had ill-feelings towards the city as a whole. In an effort to express his “feelings about the city itself, and how strong [he] believes it to be”, Jack took pen to paper and composed this poem. Personally, I think it’s an amazing poem which gives the reader a very good feel for the city. Detroiters especially can appreciate all the places that Jack mentions and I’m sure they can identify with his descriptions of those places. I simply had to post this poem so that as many people as possible can read it and hopefully get a better understanding of the city that I love so much. Detroit is my home too and I’m glad that Jack White took the time to tell the world how amazing the city really is … in his own words.

[Source]

Jul 2, 2008
The time is almost nigh
Angelina Settles, Brad Arrives

Yesterday we got word that Angelina Jolie had checked herself into the Lenval hospital in Nice, France to settle in for a pre-planned rest period in the hospital ahead of the birth of her twin babies (which are expected to be born by week’s end) … and today, the Nice-Matin newspaper published a photo of the hospital floor where Ange is supposedly staying:

Angelina Jolie has checked into a hospital in the South of France in anticipation of giving birth to twins, the Associated Press reports. “There’s no urgency,” hospital representative Nadine Bauer tells the AP. “[Jolie's admittance has] been planned for a long time.” Bauer added, “She’s very well. Everything is fine.” Jolie and Brad Pitt are expecting their fifth and sixth children.

Urgency or not, Brad Pitt ain’t takin’ no chances … he is also settling in at the hospital to be with Angelina should the babies decide to pop out at any given time. Here are a couple pics of Brad‘s arrival at the Lenval hospital earlier today:

Yeah, it looks like these babies are going to come well ahead of their August due date … they could come at any moment … and I don’t know why but I’m suddenly all excited and nervous for the impending birth of the Brangelina twins. EEEK!

[Photo credit: Splash News; Source]

Jun 23, 2008
Detroit Gets Some Well-Deserved Lovin’

Pink reader Natalie gave me the head’s up that the Washington Post published a great little write-up on Detroit, MI in yesterday’s Travel section of their newspaper. Rather than following the herd that seems to love bashing Detroit Rock City (many times without even bothering to pay the city a visit), the Washington Post instead writes up a charming little review of the town I love so, painting a picture of the city that is so dead-on that I can’t wait to share it with all y’all:

I saw it first by night. A metropolis unveiled in viewfinder snapshots through the smudged windows of an elevated train. Gothic towers crowded close, proud detail etched on gray stone. A beaming stadium full of red-capped baseball fans, its front side left open as if to console the devoted others it couldn’t quite hold. A neon neighborhood of revelers, trying their luck with the cards and with each other. A river that bounced fractured glints of the city back toward the heavens. It was beguilingly authentic — gritty and romantic — and it was decided: I would side with Mary. Mary, the smiling lady of the hotel lobby, not Alexandro, the cab driver who brought me to her. “Is this your first time in Detroit?” Mary inquired. “You’re going to love it! It’s just like Paris.” Minutes earlier Alexandro laughed incredulously when I told him what I’d come here to find. “Happiness?” he scoffed. “I can’t really see it. Everybody’s just so miserable.” Which is what Forbes magazine said, too; the Most Miserable City in America, it claimed in a report earlier this year. “Imagine living in a city with the country’s highest rate for violent crime and the second-highest unemployment rate,” the article proposes, by way of introduction. But after riding the looping downtown train — slickly named the People Mover — and stepping into the Greektown section of the city, where I was met by saxophones singing from opposite corners and a scene that looked like the quaint, Hollywood version of a 1940s gambling town, it was over … I could be happy here. I already was.

You simply must read the rest of Ellen McCarthy‘s 5-page piece on Detroit … she talks at length about the places she visited and the people she met while in Detroit. She really does Detroit very proud, which is a nice change of pace. It gets very frustrating when people continue to bash the city I love so much. Of course there are problems in Detroit but there are problems everywhere. Detroit is my home and I love it. And I love Ms. McCarthy for writing such a lovely piece on my city :)

I should also note that Pink reader Natalie also sends along the Washington Post piece on Hamburg, Germany — her home town — which is featured in the same Travel section of yesterday’s paper (she sent in both because she was born in Hamburg and her son was born in Detroit). After reading that piece, I’m reading to get my buns to Germany for a great vacay as well ;)

[Source]

Designer unimpressed with 'SaTC' movie
Vivienne Westwood Is No Fan Of ‘Sex’

Anyone who has seen the Sex and the City Movie would prolly imagine that famed designer Vivienne Westwood is a fan of movie since she is heavily name-checked in a pivotal portion of the film. But, Westwood spoke to San Francisco Chronicle and revealed that not only is she not a fan of the whole Sex and the City fashion phenomenon but she was so dissatisfied with the movie that she left 10 minutes into the film’s premiere:

Legendary fashion designer Vivienne Westwood is not a fan of “Sex and the City: The Movie,” branding the film’s fashion styling uninspiring and “quite dull.” The designer, 67, is name-checked in the film and even created a dress worn by Sarah Jessica Parker’s fashionista character Carrie. But Westwood insists she was far from impressed with stylist Patricia Field’s work on the big-screen adaptation of the hit TV series. She says, “I thought ‘Sex and the City’ was supposed to be about cutting-edge fashion and there was nothing remotely memorable or interesting about what I saw. “I went to the premiere and left after 10 minutes.”

Yowch! I had no idea that Westwood felt this way about the movie. As I said, anyone who has seen the film (once or, say, thrice) was prolly under the impression that Westwood was a big fan of SaTC … especially considering the way her name and her fabulous dress was featured in the film. I can’t imagine that SaTC stylist Patricia Field is very happy to hear Vivianne Westwood dissing her work. Who knows what it was exactly that set Vivianne Westwood off … maybe it was the belt?

[Source]

She may need a wheelchair in a month?
Amy Winehouse Has Emphysema, Father Reveals

Mitch Winehouse, father of the troubled UK singer Amy Winehouse, revealed to the UK newspaper The Sunday Mirror over the weekend that his daughter is suffering from early stage emphysema due to her fondness for smoking “crack cocaine and cigarettes” and may be relegated to a wheelchair “within a month” if she does not heed the warnings of her doctors. This discovery was made after Amy finally succumbed to hospital treatment after collapsing in her home early last week. Here are pics of Mitch escorting Amy to one of her many visits to rehab before finally going to the hospital to undergo tests last Monday:

The troubled singer Amy Winehouse, right, has early stage emphysema as a result of smoking crack cocaine and cigarettes and may need an oxygen mask to breathe if she cannot stop, her father told a British newspaper, The Sunday Mirror, in an interview. Ms. Winehouse, 24, was taken to the hospital last Monday after a collapse and underwent tests last week. “The doctors have told her if she goes back to smoking drugs it won’t just ruin her voice, it will kill her,” her father, Mitch Winehouse, said. Mr. Winehouse, who said his daughter also had an irregular heartbeat, added that focusing on her work has sometimes helped her to stay away from drugs, and that had she not performed recently in Moscow and Portugal, “she could have been dead by now.” Ms. Winehouse is scheduled to sing on Friday at a London concert celebrating the 90th birthday of Nelson Mandela and also plans to take part in the Glastonbury music festival on Saturday.

Daddy Winehouse gave an exclusive interview with The Sunday Mirror this weekend where he opened up about his daughter’s health and his hopes that she will finally work towards taking her health seriously …

Jun 8, 2008
Trent Reznor Does ‘The New York Times’
Trent Reznor of Nine Inch Nails (the best mothereffing group on Earth, IMHO) is featured in today’s issue of the New York Times Music section wherein he talks about his new style of releasing music (ie. giving it away for free), how much little thought process was involved before he created his recent 2-disc collection of instrumental music called Ghosts I-IV (saying that he set out to record the new material “with very little forethought”), how the latest NIN album, The Slip, was completely created in just three weeks (after only a month of songwriting) and more. Here are portions of the NYT piece on Mr. NIN:

“This one’s on me,” Mr. Reznor announces on that Web page. The album was downloaded more than a million times before the end of May, according to him. A retail CD version of “The Slip” is due shortly before Nine Inch Nails starts its tour on July 25 in Vancouver. “Aside from any kind of monetization of it, I’m glad to know that a million people have it on their iPods,” Mr. Reznor said. “If you paid for it, great, but I want everyone to hear it, you know? I want to blow people’s minds.” He has joined the superstar exodus from major labels. Acts with large audiences and established brands like Radiohead, Madonna and the Eagles no longer need the labels’ star-making clout. They have calculated that they can do better, and have more options, outside the old system. Now that Mr. Reznor has finished his contract with Interscope Records, he is following his impulses on when to release music. “I don’t have to ask permission,” he said. The situation suits his business sense and his temperament. In “Head Like a Hole,” the climax of countless Nine Inch Nails concerts, he sings, “I’d rather die than give you control.” Mr. Reznor, 43, is an unlikely combination of recluse, showman, tortured Romantic, workaholic and tech geek — which may just be an effective personality for a musician in the digital age. His songs have become perennial adolescent anthems because they blurt out frustration, fury and self-loathing in a dramatic balance of pop melodies and ominous, lacerating noise. And in conversation, he doesn’t hide negative thoughts. “Fear has governed my life, if I think about it,” he said. “I don’t even know why I’m saying this in an interview situation, but I always feel like I’m not good enough for some reason. I wish that wasn’t the case, but left to my own devices, that voice starts speaking up.” He wonders, in the songs on “The Slip,” whether he is irrelevant. The music revives Nine Inch Nails’ past, from stomping hard rock to dance-club beats to piano ballad to inexorably building instrumentals. Yet amid walloping drums and distorted guitars — the sounds of angry youth — Mr. Reznor ponders his place in the present. “Start it up again like it matters anymore/I don’t know if it does,” he sings in “1,000,000.” Nine Inch Nails, Mr. Reznor said, is “an aggressive, honest, naked, angry, ugly thing. I don’t hear anybody doing anything like that right now that I’m aware of. Maybe there are, but it doesn’t seem like it’s the flavor of today.” As a musician and fan, Mr. Reznor is an old-school rocker who is devoted to the album as a creative unit to be savored and pondered as a whole. But he has also reinvented himself as a digital-era adept. Unlike the Eagles and Radiohead he’s not taking years to make albums; he has recognized that while he grew up treating an album like a novel, younger listeners, freely downloading music and setting their iPods on shuffle, are more likely to treat it like a magazine. Mr. Reznor lets his music travel freely at Internet speed, extending album concepts into parallel online universes. He’s familiar with file-sharing sites and music blogs, including those that irk him by taking potshots at Nine Inch Nails. Playing live, his laptop now replaces pedals and effects. Mr. Reznor even posts online all the raw digital tracks from Nine Inch Nails albums for anyone to remix. “I’m done with them,” he said. “Why not?” “Ghosts I-IV” grew out of ideas after a 2007 tour, which Mr. Reznor set out to record “with very little forethought,” he said. He released the album in March, making it available in multiple formats, from a bargain downloadable version for $5 to standard CDs and LPs to a luxury $300 limited-edition boxed set of CDs, vinyl, DVDs and artwork. (The 2,500 copies of that set sold out immediately, for a quick gross of $750,000, and now fetch $500 on eBay.) “The Slip” was knocked out in three weeks of studio time after a month of songwriting. During the sessions he sent one song, “Discipline,” to rock radio stations, which have given it Top 10 airplay. The new music, Mr. Reznor acknowledged, relies more often on reflexes than does an album like “The Fragile” (1999), on which every sound is painstakingly shaped; he said he expects his next project to take more “editorial time.” With “The Slip,” however, he finished recording the songs on a Wednesday and completed mixing, mastering and graphics to release the album five days later. “That was fun,” Mr. Reznor said. “You never could have done that before.” To release “Ghosts I-IV” and “The Slip” online Mr. Reznor found he needed software to distribute digital files, assemble databases and connect easily with other applications. That too will soon be available free. “We’ve spent the money to make it,” Mr. Reznor said. “Take it.” Going independent “was a weird feeling,” he said. “It was bittersweet. It was happiness: ‘We’re finally, finally free of this bureaucracy. Oh, no, now what are we going to do?’” … Mr. Reznor has no global solution for how to sustain a long-term career as a recording musician, much less start one, when listeners take free digital music for granted. “It’s all out there,” he added. “I don’t agree that it should be free, but it is free, and you can either accept it or you can put your head in the sand.” He knows what he doesn’t want to do: make his music a marketing accessory. “Now just making good music, or great music, isn’t enough,” Mr. Reznor said. “Now I have to sell T-shirts, or I have to choose which whorish association is the least stinky. I don’t really want to be on the side of a bus or in a BlackBerry ad hawking some product that sucks just so I can get my record out. I want to maintain some dignity and self-respect in the process, if that’s possible these days.” Nine Inch Nails was a multimillion-selling band throughout the 1990s and has steadily replenished one of rock’s most loyal followings, filling arenas on tour … Before the full band’s first rehearsal, at a complex in Burbank, Mr. Reznor had an hourlong conference call with Moment Factory, a high-tech production company in Montreal. Mr. Reznor’s eye for technology keeps colliding with his budget. “I don’t make any money because I spend it on the production,” he said. “But I can’t afford to go lose money to play shows.” With his longtime graphics co-conspirator, Rob Sheridan, at his side and an e-mail memo on his Mac laptop screen, Mr. Reznor went through a prospective set list, song by song, with Moment Factory, explaining where three giant video screens would be and which disorienting effects he wanted from the programmers and hardware makers — like being able to move a video frame across a musician that also changed the sound of his guitar. “What I’m trying to do is use the stage as an interactive instrument,” Mr. Reznor said. “I’m in the world of science fiction now.” Nine Inch Nails has been on the arena circuit since the mid-1990s. As Mr. Reznor’s audience grew, so did his ambitions and his self-destructive side: alcoholism and heroin addiction. He went through rehab in 1997, but he backslid as he labored over “The Fragile” for two years. “‘The Fragile’ ended me,” he said. After the tour for “The Fragile,” Mr. Reznor went silent for half a decade. He has been sober, he said, since 2001, but he did not release another album until “With Teeth” in 2005. He had feared that without his addictions he’d no longer be creative; he had also feared obsolescence. “I know how old I am,” he said. “I’m not trying to fool anybody.” … “These days I work too much, I think, because it makes me feel good,” Mr. Reznor said. “I don’t know how to do that in a relationship. I don’t have a family. I’d like to have one. I just haven’t somehow gotten around to it yet. But I know that if I work, it’s likely I’ll come up with something I’m proud of and that gives me a sense of worth. Not for money or fame — it’s, I feel good about it. So like any good addict, if I find something that feels good, if that feels good, maybe doing twice as much feels twice as, you know. …” His day was just beginning. There was a photo shoot, a band rehearsal, more stage plotting. “Make me look cool,” he said by way of goodbye. He caught himself, and laughed.

Brilliant. This has to be one of the most insightful profiles on Trent Reznor that I’ve read in a very long time. To be honest, I don’t recall knowing that he suffered with a heroin addiction in his past (tho, I could just be forgetting) but I’ve always been impressed with the man’s integrity and his commitment to staying true to his beliefs. I’ve been a huge NIN fan since 1988 and it is just really effing cool that they are still going strong after all these years. I can’t wait to see NIN on tour later on this year … it’s been far too long since I’ve ventured into the depths of a mosh pit. Yes, I realize that that sounds horribly 1994 but it’s really the only way to really experience Nine Inch Nails live … so that is where I’ll be. [Source]