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Gossip Girl star Blake Lively is featured on the cover and in the pages of the new issue of Vogue magazine. In her interview, Blake talks at length about how fashion is featured in GG in a coverstory article that tries to explain how the series provides lavish escapism from the everyday doldrums of an economy in recession (while describing a scene that was filmed for an upcoming episode, the article confesses “The lens cropped the Upper East Side down to its most stately and prosperous lines, with no trace of the glaring RETAIL SPACE AVAILABLE signs and GOING OUT OF BUSINESS SALE posters one block away, signals that the worldwide recession is lapping at the edges of Manhattan’s most privileged ZIP codes.”) but doesn’t really offer any substantial new information. The photospread is pretty to die for, tho! Here is Blake‘s very stunning coverphoto and a portion of the magazine’s coverstory:

In the world of Gossip Girl, there are few signs of economic hardship. Mostly, it’s a contest between the haves and have-mores: For example, the Humphrey clan—members include Serena’s on-and-off boyfriend Dan (Penn Badgley), his sister Jenny (Taylor Momsen), and their hipster dad, Rufus (Matthew Settle)—lives in the artsy, waterfront area of Brooklyn that’s one part Williamsburg, one part DUMBO, and must find their way among families who divide their time among Park Avenue, the Hamptons, and Tuscany. After Lily’s latest husband, Bart, dies, the family learns that he “has more towers than Trump, more bucks than Bloomberg.” Thus far, the only character to suffer a serious reversal of fortune is Nate, played by Chace Crawford, who is forced to move in with the Humphreys when his father—a swindler and coke fiend—flees the country. In this New York, nothing as commonplace as bear markets can bring about financial ruin: It requires a dastardly character flaw. Gossip Girl was adapted from the best-selling young-adult fiction series by Cecily von Ziegesar, who was working as an editor at a book-packaging company when the idea floated up to create a more-contemporary line of fiction about private school kids in New York. Von Ziegesar, who had attended the Upper East Side girls’ academy Nightingale-Bamford and knew well the milieu, volunteered to take on the proposal. She invented the Constance Billard School for Girls, where Serena and her BFF and sometime-rival Blair Waldorf (Leighton Meester) hold court. “The characters came right away,” von Ziegesar says over lunch at Fred’s in Barneys, a crowded watering hole for the blonde, slim, and soignée, and where von Ziegesar, who is blonde, slim, and soignée, fits right in. “It flooded out of me; I always wanted to write, but I never thought I’d be writing for teenagers” … The show has taken many departures from the novels, especially in the second season, which has abandoned any lingering pretense of term papers or gym class in favor of a Dangerous Liaisons romance between Blair and the sulfurous Chuck Bass (Ed Westwick), as well as what to wear for such an assignation. “The fashion is just unbelievable. You can watch our show on mute and be entertained,” Lively says. And she’s not overstating it. The characters wear designer clothes that teeter between unattainable chic and self-parody, be it Bass’s wearing a tuxedo covered with paillettes that shimmer like a matador’s suit or Blair’s attending the dean’s party at Yale with an Alice-in-Plunderland pewter-colored satin bow in her hair. For her part, Lively is entranced by Serena’s authentically local look. “Just being here, walking around, you pick it up really quickly,” she explains. “In New York, you put on skinny jeans and riding boots and a leather coat and handbag, and you take on that posture and character,” Lively says. “It becomes very natural.” Lively’s natural style? Costume National boots, dark Rag & Bone trousers, and a Joie cashmere vest over a Ports 1961 white pointelle cashmere sweater, punctuated by Chanel earrings, a Chanel handbag, and a Jeri Cohen diamond bracelet. (“They let me borrow it, and now I can’t take it off,” Lively says mischievously.)

The full interview can be read in the February issue of Vogue magazine (the truncated version is online HERE) but will prolly not offer anything all that new that we haven’t heard already. For me, the photos are the real draw. After the jump, check out a few photos from Blake’s Vogue magazine photospread …

Yeah, she looks pretty spectacular but with Vogue‘s styling (and airbrushing) and photography by Mario Testino you’d expect nothing less than the spectacular. The photos are very sophisticated, I think, and show Blake in a more mature light. She deffo has that old Hollywood glam look. I really like these photos. What do y’all think? Are these great or what?

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