The amazing, award-wining Jonathan Larson musical Rent ended its 12-year run on Broadway at the Nederlander Theatre in NYC last night … bringing down the curtain one last time on one of my favorite Broadway musicals ever. Having seen the show upwards of 30 times both on Broadway and on tour, Rent will always have a special place in my heart … I am very sad that the show’s run on Broadway had to come to an end:

They cheered, they cried and gave the show a standing ovation even before the first note was sung. Broadway said goodbye Sunday to “Rent,” 12 years and 5,124 performances after it first became a rock musical with a message for theatergoers of all ages. “Like we did when we opened, we dedicate this performance to Jonathan Larson,” said actor Adam Kantor, referring to the man who wrote the show’s book, music and lyrics. Then “Rent” was off and running toward its final curtain that had the last cast as well as members of its original company together on stage at the end of the evening to sing an electric version of “Seasons of Love,” one of the show’s best-known songs. “There’s mixed emotions, but it’s time,” said Allan S. Gordon, one of its producers, talking about the closing. The show, book was born off-Broadway in triumph and tragedy. Larson died of an aortic aneurism after its final dress rehearsal in January 1996. He was 35. “It was the most shocking thing,” Gordon recalled. “I still can’t believe Jonathan is dead. All you need is one (big hit), and he had that. I don’t miss what he didn’t write. I feel bad that he isn’t here to enjoy what he did.” Larson’s tale of free-spirited artists and street people in a gritty drug- and AIDS-plagued East Village of the early 1990s touched several generations. Rave reviews propelled “Rent” to Broadway where the musical opened the following April at the Nederlander Theatre, a house often shunned by producers because it was on the wrong side of 42nd Street. The show, inspired by Puccini’s “La Boheme,” found a ready-made audience in young people. Its fanatical supporters were nicknamed “Rentheads,” and many of them saw the show after the musical instituted a same-day, front-row ticket price of $20. The plan proved so popular that it was changed to a lottery format to accommodate the demand. Yet the show’s fans were more than just young theatergoers. “It’s 80 percent the traditional audience,” Gordon explained. “‘Rent’ was not defined by age. It attracted a wide spectrum of people. People of all ages love it. That’s why it survived.” Survived and thrived — winning Tonys, Obies and the Pulitzer Prize for drama as well as grossing more than $280 million during its Broadway run. Millions more were made from national tours and foreign productions that performed on six continents. A film version, using much of the original cast, was released in 2005.
Even tho I am VERY SAD that Rent ended its Broadway run, I am comforted by the fact that a new touring version of the show starring Anthony Rapp and Adam Pascal in the roles of Mark and Roger (which they originated when the show opened on Broadway in 1996) will begin next year:
Another tour starts in January for some 30 weeks with several members of the original cast. Plus a new cinecast of “Rent,” filmed in High-Definition video by Sony Pictures during the musical’s last performances, will be shown in movie theaters in the United States and Canada for four days (Sept. 24-25 and Sept. 27-28). Click HERE for locations. “‘Rent’ is recorded for history, so it’s not like it’s disappearing off the map,” Gordon said. “Hmmm, maybe I should bring back a revival next year.”
It is truly the end of an era. Rent changed Broadway forever … it will be missed on the Great White Way, I’m sure. I am looking forward to seeing Rent again on tour but nothing will ever replace seeing the show at the Nederlander on 41st St. in NYC. Nothing.
[Photo credit: Wireimage; Source]