Gisele Bündchen is featured on the cover and in the pages of the new issue of GQ magazine. Here are a few pics from her photospread and an excerpt from her coverstory:

Gisele Bündchen is writhing on the sheets of a bed in one of those airplane-hangar-sized New York City photography studios. It’s the last setup of the day, and she’s wearing a black bra along with something skimpy, satiny, and dark that she will later describe to me, with a straight face, as “boys’ underwear.” She works really quickly. Her fluid poses are a kind of rapid sex-symbol Tai Chi—fingers pass through hair, arms extend above head—and she moves from one into the next without making a single awkward gesture. Her expressions, though, are really something. I don’t know how she manages not to cross the line into camp when she puts on a smoldering look, but she does. At one point, I find myself in her line of vision and our eyes meet, and while I’m only stating the obvious here, I must say, I am not man enough. A few minutes later, we’re sitting in swivel chairs in front of an enormous hair-and-makeup mirror that’s bordered by a million tiny lights, the kind of mirror normal people shun like a staph infection if they know what’s good for them. Gisele has changed into jeans and a gray T-shirt with an elaborately draped neck, and she is holding court. The sweet nothings, the air kisses, the swooning straight out of Versailles … Do you have a signature expression, like Zoolander’s “Blue Steel,” that you use when you want to be extra-seductive? A photo is a story. Who will be this woman? Who will be wearing those sexy tops with boys’ underwear? I try to understand. Who is she? What kind of mood is she in? Like, whatever, I’m in my bedroom. I’m like, my boyf—
And here she has the presence of mind to cut herself off. But we’ll get to her boyf later. it’s possible to locate the exact instant when Gisele Bündchen became the globe’s reigning icon of feminine perfection: an April 7, 1999, shoot in the studio of the legendary photographer Irving Penn. That shoot marked the demise of fashion’s so-called heroin-chic phase and the advent of a new, commercial era, in which models would dream of walking the runway for Victoria’s Secret as much as they would for, I’m spitballing here, Alexander McQueen. Penn, 81 at the time, photographed the 18-year-old Brazilian gazing enigmatically over her shoulder, her hair thickly tangled, her body completely nude. In its July 1999 issue, Vogue used the black-and-white photo to illustrate an editorial called “The Return of the Curve.” Gisele would appear on five of the magazine’s covers in the next year and would ignite an international fever for Brazilian models, and a more localized one in Hollywood for flip-flops and radioactively golden skin. Her Photoshop physique—volleyball-player limbs, Modigliani torso, actual breasts—would drive thousands of her countrywomen to seek implants (I’m not making this up; it was in The Wall Street Journal) and would help transform a cheesy mall-store company, Victoria’s Secret, into a cheesy megacorporation. Today Gisele says simply, “I was there at the right time, I guess. I was the Girl Who Did That Picture, you know?”
And the rest, as they say, is history. The interview is a very compelling one. I must admit, I’ve never really put too much thought into Gisele Bündchen the person. I see her photos, I hear about who she’s dating but I never really gave her much thought. This interview paints a fascinating picture of who she really is. It’s interesting to read her take on her modeling career and her romantic relationships (especially with Leonardo DiCaprio and, currently, with Tom Brady). I don’t really read many interviews with models (wait, do magazines ever interview models in the first place?) but this one I enjoyed. Click HERE to read the GQ interview with Gisele and judge for yourself. I think you’ll find she’s more than just a pretty face. There is no denying that these photos are sick as hell. She looks stunning in them. Some people were born to model … she is deffo one of those people.
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